Borgen director and Danish Academy award winner Soren Kragh-Jacobsen returns to the big screen with a haunting psychological drama that reunites The Killing‘s Sofie Gråbøl and Søren Malling. Adapted from a play by Per Olov Enquist, The Hour of the Lynx sees Gråbøl playing Helen, a priest who is struggling to convince herself that her work has any meaning for the modern world. Ministering to the spiritual needs of a small community, she preaches sermons at poorly attended services. Unable to contain the barely concealed frustration she utters a mild obscenity during preparations for a Confirmation ceremony and is admonished by a parishioner for defiling a place of worship.
An opportunity for personal salvation arrives when the church is visited by Lisbeth, a duty psychiatrist (Signe Egholm Olsen of Borgen) at the nearby secure hospital. For several weeks the institution has been running a behavioural experiment studying how patients respond to sharing their personal space with animals. The killer of an elderly couple has been assigned a cat. Initially unresponsive to treatment, he becomes more animated when partnered with a feline. Early reports suggest that the study has been a success but then something goes wrong and the patient is placed on suicide watch after an unsuccessful attempt to end his life. Convinced that self-murder is part of God’s plan he is determined to try again.
The project is facing imminent shut down so Lisbeth reaches out to the Helen hoping she can form a meaningful emotional connection with the inmate. As the hours tick away until the study is terminated Helen builds a rapport and tries to understand the trauma he has carried with him for so long and why that led him to murder two strangers. Racing against time to save his life, and Lisabeth’s professional reputation, an intense therapy session takes place exposing dark thoughts and painful memories.
Soren Kragh-Jacobsen has crafted an uncompromising examination of guilt, faith, love, and the power of memory. Compelling in its exploration of the shadowy corners of the human psyche. This elegiac lament for lost innocence asks soul-searching questions about the fragility of beliefs and possibility of redemption. A film based upon distinct oppositions. The claustrophobic environment of a secure hospital is contrasted with the tranquillity of Sweden’s countryside. Minister of faith and scientist have seemingly incompatible perspectives but are forced by circumstance to overcome their mutual suspicions and work together.
Transcending it’s theatrical origins, The Hour of the Lynx is a highly intelligent and emotionally powerful film which effectively fills the cinematic canvas courtesy of nuanced cinematography sympathetic to the script’s intentions and uniformly excellent screen performances.
Steadfastly refusing to sugar coat or trivialise the subject matter, viewers are plunged headfirst into the darker recesses of a troubled soul. This movie will linger in the viewer’s memory. Recommended.
To commemorate this film’s release Ash Loydon has produced a stunning portrait of Sofie Gråbøl.
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