In the recently published Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV Barry Forshaw evaluated Sweden’s rich legacy in terms of contributions to the genre. As well as being the largest country, in geographical terms, within the Scandinavian region Sweden has been a dominant force within crime fiction ever since Sjöwall and Wahlöö created a new template which used the genre’s conventions to explore contemporary social issues. More recently Henning Mankell and Steig Larrson have continued and advanced this tradition with significant critical and commercial rewards. Into this ever enlarging cannon of Swedish crime writers comes a new name, Arne Dahl.
Whilst amassing a substantial number of published credits since 1990 it was in 1998 that literary critic Jan Arnald gave birth to his better known Arne Dahl pseudonym and started writing crime fiction in tandem with his more analytical journalistic output . In the years since the publication of the first Intercrime novel, The Blinded Man (originally entitled Misterioso) the Arne Dahl books have sold more than 2.5 million copies, been translated into 25 languages published in over 30 countries and been the recipient of several high profile prizes including both Danish and German Crime Writing Awards. With Jan Arnald/Arne Dahl’s profile riding high on the back of BBC Four’s screening of the series, Arrow Films has given the show a DVD release and Random House imprint Vintage is publishing English language translations of the first two Intercrime novels, The Blinded Man and Bad Blood with the promise of To the Top of the Mountain and Europa Blues to follow later in the year.
Produced by production company Filmlance, for Sweden’s equivelent of the BBC, SVT, Arne Dahl is a ten part series that adapts fhe first five Intercrime novels. Demonstrating their commitment to making the best possible crime show Filmlance have ensured that some of the finest directors currently working in Swedish television get to helm episodes, most notably Harald Hamrell who is best known to fans of Scandinavian TV for Beck and Real Humans. The novels are some of the most intelligent examples of crime fiction to have been translated into English within recent years. Each book is densely packed with social and cultural information wrapped up in a bow made of gripping tension. To ensure that they produced adaptations which did the books justice and yet played to the strengths of TV as a medium Filmlance secured the services of Arne Dahl in an advisory capacity, Taking an active interest in the scripting and casting Dahl made sure that overall spirit of his prose was not compromised.
The first Intercrime novel, The Blinded Man, was published in the late ’90s and some minor modifications were required to bring the stories bang up to date most notably in terms of home entertainment technology, working practices, and greater strides with regards gender equality in the recruitment of senior police officer.s. That the overall beats of the story remain relatively unchanged is testament to Dahl’s understanding of the criminal psyche and some excellent plotting. The series focuses on an elite team within the Swedish police force known as the A-Unit. The team investigates new forms of criminality that have begun to appear in Sweden since globalisation became a reality. Headed by CID inspector Jenny Hultin (Irene Lindh) the A-Unit explore the darker recesses of modern Swedish society. Cases that are too sensitive or specialised for regular police departments are passed on to the team, Amongst the cases that they investigate is an attempt to put capitalism at risk by a serial killer targeting financiers, the use of Vietnam War era execution methods, a drug barons concealing his crimes, and the murder of a neuroscientist which triggers an even more more sinister chain of events.
Hand-picked by Hultin, each team member has specific skills which must be combined those of their colleagues in order to solve the case and apprehend the guilty party. It is only when functioning as a team that progress can be made but Arne Dahl has saddled each member with enough baggage to break the back of the most strong willed of people. Private tensions are such that at times it seems as though professional and private lives may simultaneously self destruct. At the start of the series we are introduced to Paul Hjelm (Shanti Ronay), an idealistic officer with a spotless career record who throws the rule book out of the window when he makes a judgement call during a siege that saves a life knowing that it might terminate his career. More alive when on the beat than at home he needs the A-Unit not only only to save his career but also to give his life meaning. With each other team member we see echoes of Hjelm’s fractured self, whatever professional accolades they have earnt has been at a great cost to their emotional well-being. Paradoxically, it is only when operating as a team that old wounds are healed and long standing psychological scars are healed.
In terms of both the fiction and production this a very well cast series. The team members function as individual components of a group psyche as such are less effective when separated from the gestalt. As any media professional will testify casting a series is an inexact science based on personal hunches that don’t always pay off but with this series they have secured the services of first rate actors who perfectly inhabit the skin of the characters they are playing. That Gunnar Nyberg (Magnus Samuelson) is played to great effect and with remarkable sensitivity by a former winner of the World’s Strongest Man contest shatters an ill founded myth that people from other disciplines can’t enter the acting profession and experience anything resembling success. The guest roles are also cast with absolute precision but the standout performances is given by Cesar Sarachu as the Obi-Wan like Cleaner who imparts mystical information at the right moment.
Arne Dahl is that most remarkable of things; a success in both mediums in spite or because each has been specifically tailored . Dahl’s career as a literary critic means that he has an acute sense of what constitutes a really cracking narrative but, thankfully, he knows precisely when to leave his more esoteric hat at the door thereby ensuring that the emotional journey follows at its own pace and is not dictated by a theoretical model. The series is an essential edition to any Scandi fans DVD library. Once the DVDs have been watched and rewatched go out and buy the books – precision perfect prose and enough subtle differences to make savouring the stories all over again worthwhile.
Arne Dahl can be ordered on DVD from Amazon: http://www.amazon.co.uk/Arne-Dahl-Complete-Series-DVD/dp/B00C7Q25EO/ref=sr_1_1?ie=UTF8&qid=1370727377&sr=8-1&keywords=arne+dahl
Both The Blinded Man and Bad Blood are available from Amazon; http://www.amazon.co.uk/Blinded-Man-Intercrime-thriller-ebook/dp/B008FY4T82/ref=sr_1_3?ie=UTF8&qid=1370727377&sr=8-3&keywords=arne+dahl