Interview with Giedrė Žickytė

Director of documentary on the life of one of the most important photographers of the Soviet era talks about the film ahead of its screening at Ciné Lumière.

I wanted to ask you about working with archival footage: your previous film, “How We Played the Revolution”, and “Master and Tatyana” are both related by you working with material that was sourced from archives.

The footage was radically different in both instances – I do not want to repeat myself, I am interested in constantly finding something new. I am simply telling stories that were happening then, but are also connected to the now. And when one tells stories of the past, one cannot do without the archive.

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In one interview, you went as far as to call the film “Tanya and the Archive”.

That’s what seemed alive to me in this film – its main character Tanya with her archive, the archive of Vitas Luckus that she has kept safe for all these years. This film opened a door into a stunning, touching story that happened more than 30 years ago and was kept completely silent. This was a massive challenge – how do you create a film about someone who is no longer here with material that is not, so to say, live, and about photography, which is not a live medium? Cinema is a living thing. That was one of the toughest tasks – how to make a touching film out of all of this. I decided to tell this film through a love story – love was and is something that is alive, that is still alive with Tanya. Her love manifested through the preservation of this archive.

How did Vitas Luckus become your character, how did he come to you?

I feel as though this story is becoming quite well known. Skirmantas Valiulis told me of Vitas Luckus while I was still at university. A journalist from the Netherlands who had published an album of Luckus visited Vilnius and Skirmantas Valiulis invited me to a meeting with him – to talk about a Lithuanian photographer about whom no one was talking about in Lithuania… We met at the “Neringa” and I had no idea that this story would turn my life upside down years later – I was only 19 years old, after all. The story touched me.

Seven years later I found the photocopied pages of the photo album. I read them and I could not sleep for several nights. I started looking for information online and I was astounded at the lack of it – and started having an idea about making a film… Everything fell into place. I wrote a letter to Tatyana since I had to start somewhere and I could not start without her. It was an immensely long letter – you are not going to say, “hi, Tanya, I want to make a film!”. I told her about myself: who I am, how I found Vitas, what I felt, the questions that I have and why this story is important to me. So many questions that I cannot ask of him. Perhaps I could talk to him through her? The last sentence of the letter was: “will you take me back to Vitas’s life and time?”.

She did not answer me for two months – I kept checking every single day and cannot remember ever waiting for something so intensely. It was Christmas in 2008 and she wrote to me on Christmas Day, as if sending the best Christmas gift. The response was this: “yes, Giedre, I will take you back to Vitas’s life and time”. The following year we communicated intensively on the phone – Tanya did not use “Skype” back then, I installed it for her after going to the USA. We talked so much – she would call me, it would be daytime in the USA, night time in Lithuania… And when I visited her, it seemed to me as if I had known her for a hundred years. This is how we started our journey.

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It seems like there was a conversation between the three of you – Vitas, Tanya and you. In the beginning, perhaps, she was a mediator, but the conversations and the bond between you two changed that.

Tanya could never be just a mediator. Everyone had an individual relationship with Vitas – Tanya, his friends, others. I knew I could not speak about Vitas objectively since it’s simply impossible. I do not believe in an objective reality in cinema – what is real in cinema is the feeling, something we all feel. Everything else is simply interpretation. If I had attempted an objective portrayal of Vitas, it would have been an encyclopaedia, a collection of every single version of events. Cinema is something else. Like “How We Played the Revolution” – there were many historical events, but the film is their interpretation. Its essence lies in human emotions, their feelings, the fact they could stand before tanks without being armed. That is true and undeniable. Tanya is alive – she has changed, but her love is alive and it served as a basis for my film and helped me orient myself in that great flood of material.

Interview by Paulina Drėgvaitė

Master and Tatyana screening Wednesday plus Q&A with director Giedre Žickyte – 14th June at 6:30 PM at CINÉ LUMIÈRE – Institut Français du Royaume-Uni.

Beyond Words – Full Line-Up and Programme

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Institut français has announced an impressive line-up of author events and films screenings for the inaugural Beyond Words Live French Literature Festval.

2017 has been a busy year for translated fiction, with an exceptionally dense list of books coming out in English translation, and a flurry of European writers attending UK festivals. Amongst an unusually rich French contingent of books published this year, there are no less than four Goncourt prizes (Lydie Salvayre, Alexis Jenni, Mathias Enard and Laurent Binet) one Renaudot Prize (Delphine de Vigan), and three selections for major UK prizes (Maylis de Kerangal shortlisted for the Wellcome Trust prize, Mathias Enard and Alain Mabanckou longlisted for the Man Booker International 2017).

The Beyond Words Festival will be showcasing these works and other recent books with a relevance to France, through an entirely bilingual series of guest writer appearances, panel discussions, staged reading performances and film adaptations. The festival opens on Thursday 11 May

Venue: Institut français, 17 Queensberry Place, London SW7 2DT – Info & bookings: www.beyondwordslitfest.co.uk

Programme – at the Institut français

Thursday 11 May 2017

David Bellos: Victor Hugo revisited

Victor Hugo’s Les Misérables is the most loved, most read and most adapted novel of the nineteenth century. Prizewinning biographer and translator David Bellos argues that it outshines even its most illustrious contemporaries— for War and Peace, Madame Bovary, Great Expectations, Crime and Punishment were all published within a few years. His talk will bring to life the extraordinary story of how Victor Hugo managed to write his epic work despite a revolution, a coup d’état and political exile; how he pulled off an astonishing deal to get it published, and set it on course to become the novel that epitomizes the grand sweep of history in the nineteenth century. This biography of a masterpiece insists that the moral and social message of Hugo’s novel, its plea for a new sense of justice, is just as important for our century as it was for its own.

5.30pm -6.30pm – £10, conc. £8
In English

The End of Eddy by Edouard Louis

“Before I had a chance to rebel against the world of my childhood, that world rebelled against me”. The festival opens with an exceptional staged reading of a book which took the French literary scene by storm. Translated into twenty languages and now into English by Harvill Secker, Edouard Louis’ The End of Eddy (translated by Michael Lucey) tells the life of a young gay boy growing up in a French town crushed by misery, alcoholism, racism and homophobia. Giving a voice to the voiceless, it is a painful and vibrant story of escape and revolt. How to reinvent what has been forced upon us? How to get the better of a life not chosen? Adapted to the stage by French director Richard Brunel, director of the Comédie de Valence National Theatre, with Henry Pettigrew in the title role, and actors newly graduated from the Manchester School of Theatre.

7pm – 8.30pm – £15, conc. £13
In English

Friday 12 May 2017

Michael Rosen: The Disappearance of Emile Zola

Discover the incredible story of Emile Zola’s escape to London in the aftermath of the scandalous Dreyfus Affair. Michael Rosen, Children’s Laureate and author of more than 140 books enjoyed by children and adults alike, offers an intriguing and personal insight into the mind, the love, and the politics of Zola in a book published this year by Faber & Faber. He will take you behind the scenes of the famous “J’accuse” that forced Zola to leave Paris in disgrace.

6pm – 7pm – £10, conc. £8

French Poetry Live

Poems are to be shared, embodied, whispered and spoken out loud, and our poetry libraries are full of fragments of wisdom and beauty waiting to be re-read. Come and bring to life an exciting selection of French poetry from the National Poetry Library’s collection, by Baudelaire, Cendrars, Apollinaire, Vénus Khoury-Ghata and more. A collective performance led by Erica Jarnes – no preparation necessary, just bring your voice and ears.

6.30pm – 7.30pm – £10, conc. £8

In English and French

Alexis Jenni and Hisham Matar: Rewriting History

To celebrate the UK launch of The French Art of War (Atlantic Books) and the French publication of The Return (Penguin/Gallimard), we welcome Goncourt prize winner Alexis Jenni and PEN America 2017 laureate Hisham Matar. Jenni’s novel spans essential decades of recent French history, from the aftermath of the Second World War in the 1950s, to the decolonisation and Algerian war of the 1970s. Meanwhile, Matar tells his illuminating journey to find his father, kidnapped and handed over to the Libyan regime in 1990, and retraces his steps to rediscover his country after years of exile. Both authors will be joined by their translators, French writer Agnès Desarthe and Frank Wynne, for a discussion on writing, generations, history and violence.

7.30pm – 9.00pm – £10, conc. £8

Corniche Kennedy
Film
FRA | 2016 | dir. Dominique Cabrera

Adapted from a novel by Maylis de Kerangal, Corniche Kennedy follows a group of adolescents from the working class neighbourhoods of Marseille who defy the laws of gravity in this ode to youthful sincerity and blue summers by the Mediterranean sea. Maylis de Kerangal has just been shortlisted for the Wellcome Trust prize for Mend the Living (MacLehose Press). Followed by a Q&A with director Dominique Cabrera.

8.40pm – 10.30pm – £12, conc. £10
In French with English subtitles

Saturday 13 May 2017

Truth and Fiction

For this special festival edition of our Café Philo, come and discuss the question of truth and fiction. In times of PostTruth and alternative realities, what do we hope for when we read fictional stories? To what extent do fragments of reality impact the imaginary quality of the narrative? What narratives and fictions seem most relevant to today’s concerns?

10.30am – 12pm – £2
In English

Emmanuelle Pagano and Ananda Devi

Join Emmanuelle Pagano, Ananda Devi and the brand new Librairie Caravanserail for an afternoon of readings and more. In Trysting (And Other Stories), Emmanuelle Pagano presents a myriad of minutely choreographed vignettes on love and desire. Ananda Devi sets Eve out of her Ruins (Les Fugitives) in her native island Mauritius, telling the loss of innocence of four teenagers against the backdrop of postcolonial fin-de-siècle. Pagano and Devi will talk about their work and the influences of other voices and art forms. The talk will be followed by a festive moment to celebrate the launch of Caravanserail.

3pm – 4pm – £10, conc. £8
In English and French

A Woman’s Life
Film
FRA | 2016 | dir. Stéphane Brizé

In this compelling adaptation of Guy de Maupassant’s A Woman’s Life, Jeanne, a young noblewoman, copes with the loss of her ideals as she sets out on the path of adulthood and gradually experiences the harsh realities of a woman’s life in the nineteenth century.

4pm – 6pm – £12, conc. £10

In French with English subtitles

Mathias Malzieu: Diary of a Vampire in Pyjamas

“To have had my life saved has been the most extraordinary adventure I have ever had” says Mathias Malzieu. Best known as the lead singer of the French band Dionysos, Mathias is now also an acclaimed writer. He will join us – possibly with some music – on the occasion of the UK launch of his latest book, Diary of a Vampire in Pyjamas by Quercus. Insightful, tragic and funny, it is the memoir of one who lives to tell the tale of his close encounter with death, and of his addictive wonder at the triumph of the human spirit.

5pm – 6pm – £10, conc. £8
In English and French

Man Booker International Readings

Mathias Enard’s nocturnal and musical Goncourt-winning novel Compass (Fitzcarraldo Editions, translated by Charlotte Mandel) spans the restless night of an insomniac musicologist drifting between dreams and memories of the Middle East, of Aleppo, Damascus and Tehran, as well as of various writers, artists, musicians and orientalists. Meanwhile, Alain Mabanckou’s Black Moses (Serpent’s Tail, translated by Helen Stevenson), a larger than life comic tale set in 1970s Congo, shows the struggle of a young man obsessed with helping the helpless in an unjust world. Storytellers Alia Alzougbi and David Mildon, accompanied by oud player Rihab Azar, invite you to celebrate these two novels, both longlisted for the 2017 Man Booker International Prize.

6.30pm – 7.30pm – £10, conc.£8
In English and French Related

Sunday 14 May 2017

Sophie’s Misfortunes
Film
FRA | 2016 | dir. Christophe Honoré

Christophe Honoré’s recent adaptation of the Comtesse de Ségur’s classic collection of stories about mischievous little Sophie will delight kids and young at heart. Far from being a model little girl, she’s constantly up to no good, cutting her mother’s fish into tiny pieces, making chalk tea or torturing her wax doll.

11am – 1pm – £5
In French with English subtitles

Hiroshima mon Amour
Film FRA | 1959 | dir. Alain Resnais

One of the most influential films of all time, Alain Resnais’ Hiroshima mon amour features Marguerite Duras’s clear, minimalist and haunting prose and revealed Emmanuelle Riva to the world as a French actress who engages in a brief, intense affair with a Japanese architect in postwar Hiroshima.

2pm – 4pm – £9, conc. £7
In French with English subtitles

Lydie Salvayre: Cry, Mother Spain

Goncourt Prize-winning Cry, Mother Spain takes us to the heart of the Spanish Civil War, as seen through the delicate transcription of a politically, emotionally and linguistically charged conversation between mother and daughter. Montse is fifteen as Franco’s forces begin their murderous purges and cities across Spain rise up against the old order. Those troubled times, both the happiest and most miserable years of Montse’s life, are set against darker extracts taken from the contemporary account Les Grands Cimetières sous la lune by Georges Bernanos. Lydie Salvayre will be in conversation with her translator Ben Faccini.

4pm – 5pm – £10, conc. £8

Delphine de Vigan: Based on a True Story

Based on a True Story by Delphine de Vigan is a prize-winning, sophisticated and chilling novel of suspense which continually blurs the line between fact and fiction. Just published by Bloomsbury in a translation by George Miller, this unputdownable book takes the reader into a nightmarish story of master manipulation. Rarely seen in London, Delphine de Vigan will tell us more about the boundaries between reality and fantasy, friendship and fascination, and a little too about her previous bestselling books No and Me and Nothing Holds back the Night.

5.30pm – 6.30pm – £10, conc. £8
In English and French

Tuesday 16 May 2017

Laurent Binet: The Seventh Function of Language

February 1980. Roland Barthes is knocked down in a Paris street by a laundry van. History tells us it was an accident. But what if it were an assassination? What if Barthes was carrying a document of global importance? A document explaining the seventh function of language – which gives whoever masters it the ability to convince anyone, in any situation, to do anything. Who can you trust when the idea of truth itself is at stake? Laurent Binet, author of the bestselling HHhH and winner of the Goncourt first novel prize, will be presenting this brilliantly erudite comedy, published by Harvill Secker, in discussion with British author and journalist Alex Preston.

6.30pm – 7.30pm – £10, conc. £8

In English and French

Programme – at the British Library and Dulwich Books

Dulwich Books: France Country of the Month

A discussion with Alexis Jenni, Emmanuelle Pagano, Mathias Malzieu and Ananda Devi led by British author, historian and French literary critic Graham Robb. Dulwich Books, shortlisted for the British Book Awards 2017 Independent Bookshop of the Year, celebrates France as their country of the Month this May.

Sunday 14 May
3 – 5pm – £5
Venue: Dulwich Books Bookshop
6 Croxted Road, West Dulwich
London SE21 8SW
www.dulwichbooks.co.uk

Le Grand Tour: The Best of Contemporary French Fiction

Join the crème de la crème of French authors, Alexis Jenni, Lydie Salvayre and Delphine de Vigan at the British Library, where they will showcase their newly translated works through readings and short performances.

Monday 15 May
7 – 8.30pm – £12, conc. £8

Venue: British Library Knowledge Centre Theatre
96 Euston Road
London NW1 2DB
www.bl.uk

Quais du Polar by Lilja Sigurdardottir

Icelandic author Lilja Sigurðardóttir’s writes for Stirling University’s Nordic Noir group about her experiences attending a French crime fiction festival.

Nordic Noir

Quais du Polar is France´s biggest festival of crime fiction, attracting tens of thousands of readers every year. The festival is different from many others in the sense that it is a book-selling event on a large scale, and the panels and on-stage interviews with the authors are just the icing on the cake.   The main place is the market on the ground floor at the Palace de Commerce, where all major bookstores in Lyon have their own space, dividing between them the 100 authors that are invited to the festival. Luckily I don´t read French because if I did I’d have had to fit a whole palace’s worth of crime fiction books into my luggage back to Iceland!

It was a great honour for me to be invited to the Quais du Polar Festival. My book Snare was just out in French translation (Piégée) the week…

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Beyond Words – Live French Literature Festival

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Institut français has announced it will host a Beyond Words, brand new festival celebrating French literature. A six-day programme of events packed with guest appearances of French-language writers recently translated into English, and English-language writers who have a special love affair with France, including Delphine de Vigan, Alexis Jenni, Lydie Salvayre, Laurent Binet, Hisham Matar and Michael Rosen.

The festival opens on Thursday 11 May with a staged reading of Edouard Louis’ The End of Eddy with Henry Pettigrew in the title role. Star speakers Michael Rosen and David Bellos will talk about Emile Zola and Victor Hugo and their relevance to our times. Meanwhile, Goncourt Prize-winning Alexis Jenni, just published in English (The French Art of War), and PEN award and Pulitzer prize winner Hisham Matar, just published in French (The Return), will meet to discuss the Re-writing of History, accompanied by their translators Frank Wynne and Agnès Desarthe.

Hugely popular in France, prize-winning writers Lydie Salvayre, Delphine de Vigan, and Laurent Binet will be making exceptional London appearances to talk about their recently translated novels (Cry, Mother Spain, Based on a True Story, The Seventh Function of Language), both at the Institut français and at the British Library where a special evening on contemporary French fiction takes place on 15 May. To celebrate the 2017 Man Booker International Prize, a performance of staged and musical readings of Mathias Enard and Alain Mabanckou’s longlisted books (Compass, Black Moses) will take place at the Institut français on 13 May. Dulwich Books will also be hosting an afternoon session with festival guests on 14 May.

French poetry will not be forgotten, with an original collective live reading experience led by Erica Jarnes in partnership with the Southbank Poetry Library. Nor will philosophy, with a special session on truth and fiction. Other highlights include talks with Dionysos lead singer Mathias Malzieu who will be launching his Diary of a Vampire in Pyjamas, Emmanuelle Pagano and Ananda Devi, both recently translated into English this year (Trysting, Eve Out of Her Ruins).

There will be on-site booksellers and book signing sessions throughout the festival, as well as a special selection of film adaptations including Corniche Kennedy (Maylis de Kerangal), A Woman’s Life (Maupassant) and Hiroshima mon Amour (Duras).

Venue: Institut français, 17 Queensberry Place, London SW7 2DT – Info & bookings: www.beyondwordslitfest.co.uk

Event News: Crime Fiction At This Year’s Jewish Book Week

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CRIME FICTION AT THIS YEAR’S JEWISH BOOK WEEK

20-28 FEBRUARY 2016

 

● Mishka Ben-David ● Professor Saul David ● Jenni Frazer ● Jonathan Freedland ● Mark Lawson ● Adam LeBor ● Harri Nykänen ● Kristina Ohlsson ● Matt Rees ●

 

 Jewish Book Week (JBW) will be welcoming a number of critically acclaimed crime writers to its festival in London next month as part of its ten-day events programme.

Authors speaking include ex-Mossad officer Mishka Ben-David; two of Northern Europe’s most celebrated crime fiction writers – ex-OSCE Counter Terrorism Officer Kristina Ohlsson and former crime journalist Harri Nykänen, creator of Jewish-Finnish detective Ariel Kafka – with talks including everything from historical thrillers, to the real-life story of the 1976 hijacking of an Air France flight from Tel Aviv to Paris and the mission to save the hostages.

Authors participating in the 2016 programme include:

·         Sunday 21 February, 17:00-18:00.  Location: Kings Place

Award winning crime writer Matt Rees teamed up with the late Yehuda Avner, adviser to Israeli Prime Ministers, to write The Ambassadors, an historical thriller set in Nazi Germany.  What if Israel had been founded before the Holocaust?  Might its existence have changed the course of European history?   This event will be chaired by journalist Jenni Frazer.

·         Wednesday 24 February, 19:00-20.00.  Location: Kings Place

Bestselling author and award-winning journalist Jonathan Freedland will discuss The 3rd Woman, the first thriller to be published under his own name, in conversation with author and broadcaster Mark Lawson.  His book is a high-concept thriller set in a world in which the USA bows to the People’s Republic of China, corruption is rife and the government dictates what the ‘truth’ is.   Jonathan Freedland will explore the genesis of his novel about an individual’s quest for justice.

·         Friday 26 February, 13:00-14:00.  Location: JW3 (in association with Halban Publishers)

‘Spies: Fact and Fiction’Mishka Ben-David served in Mossad as a high-ranking officer. Now a full-time novelist, he writes tense thrillers about Mossad agents worldwide. Forbidden Love in St Petersburg is his second translated novel and he talks about his time in Mossad and how it informs his writing, in conversation with international bestselling author, Adam LeBor, whose novel The Reykjavik Assignment, features rogue ex-Mossad agent Yael Azoulay.

·         Sunday 28 February, 15:30-16:30.  Location: Kings Place

‘Nordic Noir’ – Two of Northern Europe’s most celebrated crime fiction writers, Finland’s Harri Nykänen, creator of Jewish detective Ariel Kafka, andKristina Ohlsson, one of Sweden’s foremost crime writers, introduce their latest page-turners to UK audiences with fellow crime writer Adam LeBor.

 Non-fiction events in the programme include ‘Operation Thunderbolt’ with historian and broadcaster Professor Saul David talking about his fast-paced account of the 1976 hijacking of an Air France flight from Tel Aviv to Paris, and the daring, secret mission orchestrated by the Israeli government to save the hostages, which will take place at JW3 on 25 February.

 In addition to events focusing on crime fiction, JBW, London’s International Festival of Arts and Ideas, will feature topical debates, interviews, performance, debut writers, writers-in-translation and fringe events, designed to appeal to all ages, faiths and ethnicities,covering, amongst other areas: art and photography; biography & memoir; religion & society; science & technology; private passions; and war & conflict.

 Please see www.jewishbookweek.com to view the full festival programme and pricing information.

 Venue information:

Events will be held at Kings Place, 90 York Way, London N1 9AG; and at JW3, 341-351 Finchley Road, London NW3 6ET

Box office information:

Tickets can be purchased online by telephone or in person through:

·         The Jewish Book Week website at www.jewishbookweek.com

·         Kings Place Box Office, tel: 020 7520 1490, www.kingsplace.co.uk/jbw

·         JW3 Box Office, tel: 020 7433 8988, www.JW3.org.uk

Bloody Scotland Crime Book of the Year Award Shortlist

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Bloody Scotland International Crime Writing Festival has announced the shortlist for the annual Bloody Scotland Crime Book of the Year Award.

The award recognises excellence in Scottish crime writing. Previous winners are Peter May with Entry Island in 2014, Malcolm Mackay with How A Gunman Says Goodbye in 2013 and Charles Cumming with A Foreign Country in 2012.

The nominees are:

Paths of the Dead, Lin Anderson

DM For Murder, Matt Bendoris

Dead Girl Walking, Chris Brookmyre

Thin Air, Ann Cleeves

The Ghosts of Altona, Craig Russell

Death Is A Welcome Guest, Louise Welsh

The winner will be announced at the Bloody Scotland International Crime Writing Festival (11-13 September).

Dom Hastings, Director of Blood Scotland said ‘The Bloody Scotland Crime Book of the Year is increasingly prestigious, and this year’s shortlist, replete with a number of very successful authors, is testament to the the strength, variety and diversity of crime writing in Scotland. Reading these books, you can travel from a misty midsummer night in Shetland to a high-security prison in the middle of an outbreak; experience the mysteries of a Druidic stone circle and the cut-throat anonymities of cyberspace, go on tour with a famous rock band or track down a long-lost killer. It’s a bit of a spooky list this year, with several of the novels flirting with the supernatural; also, interestingly, four of the titles are anchored by long-standing protagonists, proving that innovation and excellence still flourish in ongoing series fiction. All in all, it’s a phenomenally strong showing, demonstrating that crime fiction in Scotland is still in rude, bloody health.’

For further information visit:

www.bloodyscotland.com

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Nordic not Noir

Stirling’s Nordic Noir group recently visited the London Book Fair and have written about the new Scandinavian titles seen and the role played by translators in bringing these dark tales to our high street bookstores.

Nordic Noir

On a recent trip to London Book Fair (an industry event where many book rights deals are negotiated)  to assist at the Publishing Scotland stand  I was delighted to discover a Nordic countries stand.  The stand was sizeable and each country had their own section. Groups such as the Swedish Literature Exchange and the  Finnish Literature exchange were represented.

I picked up copies of The Swedish Book Review which is the journal of the Swedish-English Literary translators’ Association.  It contains information on upcoming Swedish titles translated into English and other related articles.

I also picked up some of the catalogues from Icelandic publishers Crymogea (mainly art and photography books) , Odinsauga and Bokabeitan who describe themselves as a ‘progressive new publisher with a mission to promote reading for children, teens and young adults.’ Their keywords are quality and choice.  I loved Odinsauga’s raven logo and their choice of font, it reminded me…

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