Addictive spy thriller should be your next binge-watch.
The Bureau‘s first season offered a realistic portrayal of modern day espionage far removed from the stylised version offered up by the James Bond films. Ten thrilling episodes kept viewers on the edge of their seats as French intelligence officer Malotru (Mathieu Kassovitz) tore up the rule book and endangered France’s national security. In the closing moments of the series newly promoted to deputy director of the Directorate General of External Security (DGSE) he agreed to become a double-agent for the CIA.
More intense than the first season, The Bureau‘s return is wider in scope. At its heart, the series is a powerful study of treachery, torment, and the shifting tectonic plates of geopolitics. Already in production when the Charlie Hebdo attacks occurred, showrunner Éric Rochant’s screenplays address concerns about the rise of homegrown extremism and the state’s ineffectiveness in combating Isis and Al-Qaeda.
Contrasting the spectacle of fieldwork in Damascus, Istanbul, and Tehran with a complex web of paranoia in the DGSE’s headquarters, it’s an unremittingly intense drama. Immersive and utterly convincing, The Bureau occasionally plays like an anti-Homeland. Perhaps the closest television will ever get to presenting a glimpse into the fight against terror without artifice or flag waving.