Totally Serialized – Interview with Caroline Proust

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Caroline Proust, star of Spiral, visited Institut Francais and revealed behind-the-scenes secrets of France’s most successful police series to more than 200 fans.

Frequently compared to The Wire, Spiral’s hard-edged view of French policing introduced British audiences to Gallic Noir. Now in its fifth season, a sixth will be produced later this year, this gritty drama tackles issues facing contemporary France through the eyes of its justice system.

The latest series has been the most successful to date in the UK. Critics have responded with levels of fervour not seen since The Bridge and ratings have topped the million mark.

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Making her début at a British event, a visibly delighted Proust admitted to being surprised at Spiral’s popularity in Britain.

‘We just knew that there’s been a million viewers for this season,’ she says. ‘Gregory (Fitoussi – Pierre Clément) told me. He worked here on Mr Selfridge and he told me that it was a big success here.’

Fresh from delivering a masterclass on how the show is made and her approach to playing Laure. Proust posed for photographs and signed autographs for over 200 fans.

She recently joined Facebook and has connected with over 3,000 enthusiasts.

‘I opened a Facebook account because I wanted to know what was happening in other countries,’ she explains. ‘This is very interesting for me to hear from Italian, Greek, American, and English fans. There are many English fans.’

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A classically trained actor, Proust was primarily known for her work on the stage when she joined the series. In between seasons she returns to the theatre. Would she be interested in appearing in the West End?

‘I would really like to do that. Maybe I can come with a French play. I came years ago with the play Game of Love and Chance.’

Spiral’s popularity is on the rise. Might now be the time to capitalise on its success and make a feature film?

‘We were wondering. The producer asked us if we want to do a cinema movie. First time we said yes, yes we want to do that and we said I don’t know if it’s a good idea,’ she says. ‘The thing which is very interesting is that you can show how complex human beings are. In the movie you only have one and a half hours.’

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Institut Francais have posted a podcast containing extracts from Caroline Proust and Anne Landois’ panels:

For information about future events please contact:

Institut Français, 17 Queensberry Place, London SW7 2DT

Info & booking: 020 7871 3515

http://www.institut-francais.org.uk/

Spiral – Series 5 can be ordered from Amazon:

http://www.amazon.co.uk/Spiral-5-DVD-Gr%C3%A9gory-Fitoussi/dp/B00SBA4LRY/ref=sr_1_1?ie=UTF8&qid=1424559750&sr=8-1&keywords=spiral+series+5

Event Review: Totally Serialized – Decrypting Spiral

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Shining a light onto the finest TV currently being produced on both sides of the English Channel, Totally Serialized returned to Institute Francais for a fourth season of discussions and exclusive premières.

Launching three days of festivities, Spiral’s showrunner Anne Landois spoke to James Rampton from The Independent about her career, how the series is made, and its popularity in France and the UK.

Now in its tenth year of production, Spiral is seen in 75 countries. Created by Alexandra Clert and Guy-Patrick Sainderichin for French cable network Canal+, it’s the station’s longest running drama series. Transforming the network’s fortunes, it re-positioned the station into a French equivalent of HBO. Seen in 75 countries, Spiral is the most widely sold series in the history of French television.

Canal+  is committed to ensuring the programme has a long-term future. A sixth season has been commissioned and is due to go into production later this year.

Writing professionally since 1996, Anne Landois joined Spiral’s scripting team for the third season. The series currently airing on BBC Four is her first as head writer.

With a track record for writing series and TV movies grounded in realism alongside a long-term interest in policing and judicial process, Landois was a perfect choice to become the new creative force behind Spiral.

As showrunner Landois oversees the series’ artistic vision. In conjunction with a co-writer she crafts a detailed document that encapsulates the season’s main story, subplots, and character developments. This blueprint is then distributed to writers of individual episodes.

The production team uses a core group of advisers comprising police officers, lawyers, and judges throughout the scripting to guarantee the series is rooted in reality. Anne acknowledged the importance of consultants and emphasised the need to have good writers on board to create gripping drama.

Asked how writing has changed this season Landois replied that over the last decade viewers had become close to the main characters and now was the time to concentrate on their personal stories.

She compared the officers interrelationship to a blended family with Laure Berthaud as a surrogate matriarch of the household.

French television drama is currently experiencing a creative renaissance. In addition to Spiral, Braquo, Hard, JO, Maison Close, and The Returned have enjoyed success and acclaim outside of France. Anne said that French drama had been asleep but is now wide awake. The industry has studied shows coming out of English speaking territories, learning techniques in production and applying the lessons to home-grown series.

Explaining how a series is scripted and produced, Landois provided an accessible account of a showrunner’s working methods and differences between French and British television cultures. Fans of Spiral left Institute Francais with an enhanced appreciation of the writer’s craft and an increased understanding of the many production decisions that are made to bring their favourite French crime show to the screen.

For information about future events please contact:

Institut Français, 17 Queensberry Place, London SW7 2DT

Info & booking: 020 7871 3515 – http://www.institut-francais.org.uk/

ENGRENAGES Saison 5 PHOTO PRESSE